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<em>Despicable Me</em> is a compelling animated comedy about an aging supervillain's falling popularity at the hands of a younger supervillain and three young orphan girls. Gru is a true, bad-to-the-core evildoer who's earned the title of the world's No. 1 supervillain. But when young upstart Vector steals the Pyramid of Giza, Gru's status suddenly sinks to No. 2. Gru counters his fall by speeding up his plan to shrink and steal the moon, enlisting the help of his army of minions and the elderly Dr. Nefario, but a lack of funding and the difficulties involved in stealing the needed shrink-ray gun threaten to derail everything. Adopting three young orphan girls is an unlikely, but seemingly effective means to further Gru's evil mission, but Gru quickly discovers that caring for three young girls is more work, and distraction, than he could ever have anticipated. What unfolds is an unexpected shift in attitude that will forever change the lives of Gru, Vector, and all three young girls. A visually appealing film produced by Chris Meledandri (<em>Ice Age</em>, <em>Ice Age 2: The Meltdown</em>, and <em>Horton Hears a Who</em>), <em>Despicable Me</em> is full of weirdly shaped characters and settings that are somehow a perfect fit for Sergio Pablos's story. What's especially refreshing is that in this film, 3-D effects are used skillfully and effectively: even when the effects are exploited for comic reasons, they don't become a distraction, as is all too common in many recent movies. The film is full of corny banter and silly antics that inspire plenty of spontaneous laughter, and the minions, while not the best-developed characters, sure are comical. Ultimately, there's also a wholesome message about following one's heart. Steve Carell is the perfect villain-gone-soft in his role as Gru, Jason Segal is quite funny as Vector, and Julie Andrews makes a surprising appearance as Gru's very un-motherly mom. The story isn't new, the humour is relatively juvenile and somewhat forgettable, and it's no <em>Toy Story 3</em>, but <em>Despicable Me</em> celebrates silliness in a way that's satisfying and highly entertaining. (Ages 6 and older) <em>--Tami Horiuchi</em>

Based on William Joyce's the <em>Guardians of Childhood</em> book series, <em>Rise of the Guardians</em> is a gorgeously animated film about Boogeyman Pitch Black's attempts to spread darkness and fear throughout the world and the guardians' attempts to foil him. Charged with the duty of watching over the children of the world, guardians Sandman, North, Tooth, and E. Aster Bunnymund are loved by children everywhere. When the Man in the Moon appoints Jack Frost to be the newest guardian, the other guardians doubt that Jack can be of much help against Pitch, especially considering that the children don't even believe in Jack Frost's existence. But when Pitch prevents Tooth from collecting the children's teeth, keeps E. Aster Bunnymund from hiding eggs on Easter, and turns the children's happy dreams into nightmares, the guardians realise that they're going to need all the help they can get. The children stop believing in the guardians one by one, and the question that remains is what can one fun-loving, somewhat immature boy with the power to freeze everything he touches possibly do to counteract the fear and darkness enveloping the world? The animation effects are excellent in this film--especially the images of frost and ice spreading across ponds and windowpanes. The characters are interestingly quirky, the action is constant and well paced, and the considerable voice talent includes Alec Baldwin, Chris Pine, Jude Law, Isla Fisher, and Hugh Jackman. A familiarity with the books aids deeper understanding of characters like North and Sandman, but viewers unfamiliar with the books will have no problem enjoying this film. (Ages 7 and older) --Tami Horiuchi

Disney's 1994 animated feature, <em>The Lion King</em>, was a huge smash in cinemas and continues to enjoy life in an acclaimed stage production. The story finds a lion cub, son of a king, sent into exile after his father is deposed by a jealous uncle. The little hero finds his way into the"circle of life" with some new friends and eventually comes back to reclaim his proper place. Characters are very strong, vocal performances by the likes of Jeremy Irons, Nathan Lane and Whoopi Goldberg are terrific, the jokes are aimed as much (if not more) at adults than kids, the animation is sometimes breathtaking and the songs from Tim Rice and Elton John, accompanied by a colourful score, are more palatable than in many recent Disney features. --<em>Tom Keogh</em>

<em>Madagascar 3</em> is the funny, action-filled third instalment in the popular animated <em>Madagascar</em> franchise. The film opens with the penguins and lemur King Julien XIII flying off in a monkey-powered plane to visit the casinos of Monte Carlo, leaving Alex, Marty, Gloria, and Melman back in Africa awaiting their return. When the penguins don't come back, the lion, zebra, hippo, and giraffe go after them and descend on the casino in their typically bumbling fashion. Silliness and comedy abound, but the plot drags a bit through this section of the film until the introduction of Captain DuBois, an animal control officer with some serious tracking skills and an obsession with acquiring a lion head for her wall. The story and action really begin in earnest when Alex, Marty, Gloria, and Melman join up with a travelling circus in an attempt to elude DuBois. The sense of conflict, humour on both kid and adult levels, and suspense is fantastic as the foursome go to great lengths to impress the veteran circus animals and improve the struggling circus's show to win a coveted American tour contract. Each of the animals learns some important lessons about taking risks, believing in oneself, and finding and pursuing one's passion along the journey. But when it looks like the group's dream of returning to the New York Zoo may finally be within grasp, the quartet discover that they can never truly go back to the way things used to be--and more surprisingly, that perhaps none of them really wants to. (Ages 6 and older) --Tami Horiuchi

<strong>Please note this is a region B Blu-ray and will require a region B or region free Blu-ray player in order to play.</strong>



From legendary Director Martin Scorsese comes a fantastic new 3D family adventure. Hugo is an orphan, clock keeper, and thief living in the walls of a busy Paris train station, where his survival depends on secrets and anonymity. When his world suddenly interlocks with an eccentric, bookish girl (Chloë Grace Moretz) and a bitter old man who runs a toy booth in the station (Ben Kingsley) Hugo's undercover life and his most precious secret are put in jeopardy - whilst constantly having to hide from the threat of being sent to the orphanage by the unrelenting Station Inspector (Sacha Baron Cohen). A cryptic drawing, a treasured notebook, a stolen key, a mechanical man and a hidden message from Hugo's dead father (Jude Law) form the backbone of this intricate, tender, and spellbinding mystery. Also featuring Christopher Lee, Ray Winstone and Emily Mortimer.<br /><br /><strong>Special Features</strong>

• Please note: 3D version requires a 3D TV, 3D glasses and a 3D-ready Blu-ray player or a PlayStation 3 with the latest firmware update. Please check your equipment for compatibility.
• Includes 2D and 3D versions of the film
• Shoot The Moon (The Making of Hugo)
• The Cinemagician, Georges Méliès
• The Mechanical Man at the Heart of Hugo
• Big Effects, Small Scale
• Sacha Baron Cohen: Role of a Lifetime

• <strong>Actors </strong>Chloë Grace Moretz, Jude Law, Michael Pitt, Christopher Lee, Emily Mortimer, Sacha Baron Cohen, Ben Kingsley, Ray Winstone, Helen McCrory, Asa Butterfield, Richard Griffiths, Michael Stuhlbarg, Frances de la Tour & Angus Barnett
• <strong>Director </strong>

<strong>Please note this is a region 2 DVD and will require a region 2 or region free DVD player in order to play.</strong>



Prepare for the Final Battle!



<strong>Harry Potter And The Deathly Hallows Part 2</strong>, is the final adventure in the Harry Potter film series. The much-anticipated motion picture event is the second of two full-length parts.



In the epic finale, the battle between the good and evil forces of the wizarding world escalates into an all-out war. The stakes have never been higher and no one is safe. But it is Harry Potter who may be called upon to make the ultimate sacrifice as he draws closer to the climactic showdown with Lord Voldemort.



It all ends here.



<strong>Speacial Features</strong>

• Aberforth Dumbledore
• Deathly Hallows Costume Changes
• Harry Returns to Hogwarts
• The Hogwarts Shield
• Room of Requirement Set
• The Fiery Escape
• Final Farewells from Cast and Crew
• When Harry Left Hogwarts
• The Goblins of Gringotts
• The Women of Harry Potter
• Deleted Scenes
• Neville's Stand
• Molly Takes Down Bellatrix
• Pottermore Preview
• Warner Bros. Studio Tour London

An animated rendition of Dr. Seuss's classic book about the threat of industrialization to nature, <em>The Lorax</em> opens in Thneedville--a town never depicted in the original book. Thneedville is an artificial place, made primarily from plastic. It sports inflatable trees, fast cars, and air quality so poor that the residents are forced to purchase bottled fresh air. In another new twist to the story, 12-year-old Ted (Zac Efron) discovers that his crush Audrey (Taylor Swift) wants nothing more than to see a long-extinct Truffula Tree, so he sets out to impress her by finding one. Since there are no real trees in Thneedville, Ted acts on the crazy stories of his grandmother (Betty White), venturing beyond the city's walls into the desolate wasteland to locate a mysterious creature called the Once-ler (Ed Helms). Here the story and animation begin to more closely follow the book. Ted discovers the grumpy recluse, who reluctantly begins to tell him a tale about a once-perfect landscape filled with beautiful Truffula Trees and cute frolicking animals--a landscape now decimated by one greedy young man's insatiable appetite for profit. The beauty and wonder of the Truffula forest and its creatures are right out of Dr. Seuss's illustrations. While the forest creatures may not be directly referred to as Brown Bar-ba-loots, Swomee-Swans, and Humming-Fish, the cute little bears, funny-looking ducks, and especially charming trio of singing fish are instantly recognizable. They serve, as they do in Dr. Seuss's book, to add just the right amount of humor and levity to what would otherwise be a pretty heavy-handed message from the Lorax (Danny DeVito) about environmental preservation. Ted's hormonal instincts to impress Audrey slowly begin to take a back seat to the plight of the lost trees and animals, and the Once-ler's assertion that"Unless someone like you cares a whole awful lot, nothing is going to get better" rings true by the end of the film. The abundance of original music is a nice and unexpected addition to the story, though why neither Efron nor Swift actually gets to sing is perplexing. (Ages 5 and older) <em>Tami Horiuchi</em>

The revisionist version of natural history offered up in the <em>Ice Age</em> movies gets yet another twist in the fourth instalment, 10 years after Manny the woolly mammoth, Diego the sabre-toothed tiger, Sid the sloth, and Scrat the squirrel made their chilly debut to hot box-office receipts. The lessons of family and loyalty in <em>Continental Drift </em>may seem a little warmed over, but the creatively constructed laughs, amusing voice characterisations, and inventive CGI animation are reason enough to keep the series viable for kids to giggle about and grown-ups to belly laugh over--sometimes for exactly the same reasons. <br /><br />Once again, acorn-addicted Scrat is the cause of some pretty important behind-the-scenes machinations. His dialogue-free antics also serve as a stand-alone subplot that could easily be a very clever short film of its own. This time the weasely rodent's addled obsession with the fruit of the oak is revealed as the cause of the formation of the world's continents as we now know them. He sets the story--and planet Earth--in motion while pursuing a little nut in a hyperactive prologue that causes underground rifts that in turn form the famous shapes of Australia, Africa, North America, and the outline of Italy (which it turns out is shaped like a boot for a very good reason). Above ground this means more global chaos for the herd of animals we've come to know so well. All the familiar voices reprise their wonderful roles as fissures in earth and ice separate Manny (Ray Romano) from his woolly wife Ellie (Queen Latifah) and boy-crazy teenager Peaches (Keke Palmer). With a killer continental shelf bearing down on them, mother and daughter lead the madcap pack of animal characters toward a safe meeting place while Manny, Diego (Denis Leary), Sid (John Leguizamo), and Sid's crazy granny (Wanda Sykes) drift away on an iceberg schooner into a newly vast open ocean. While floating into oblivion, the mismatched pack encounters a band of animal pirates piloting another slab of ship-shaped ice, captained by a crazed baboon named Gutt (Peter Dinklage), who's bent on resentment-based revenge. The motley crew provides a plethora of comic encounters and a new raft of excellent voice actors. Running a close second to Dinklage in ingenious casting is Jennifer Lopez as Shira, a sultry tiger who, don't cha know, ends up on the good ship and falling for Diego in the end. <br /><br />The adventures of both the land- and sea-based creatures are full of clever gags and densely constructed set pieces that may not be quite up to Pixar story standards, but are certainly always on the ball and executed with computer-animation acumen that is astonishingly lifelike for such an unreal-looking world. Scrat's misadventures act as interstitial connectors to the parallel heroes' journey stories until they ultimately intersect in a massively scaled finale. Even after all the melting and refreezing, the <em>Ice Age</em> world is still a hot commodity in the animated-franchise business and remains a good investment despite the constancy of global rifts in entertaining family fare. --Ted Fry

Even breakfast is an adventure when you're the last surviving prehistoric family, and the conviction that fear keeps you alive and curiosity will get you killed definitely drives the Crood clan. But Eep (Emma Stone), who's in many ways a typical teenager intent on testing her boundaries and the resolve of her parents (Nicolas Cage and Catherine Keener), yearns for more than hiding out in a dark cave all day. Eep sneaks out of the cave one night and almost gets the whole family killed, but her path crosses with a boy named Guy (Ryan Reynolds), who it seems is destined to change everything for the Crood family. Forced to flee their cave home after it's destroyed, the Croods reluctantly follow Guy on a perilous journey that leads them to discover a whole new world full of breathtaking views, fascinating creatures, and blood-stirring adventure. The animation is lush and gorgeous and the abundance of physical and slapstick humour, especially from Nicolas Cage as Grug and Cloris Leachman as Gran, keeps the plot moving and viewers chuckling throughout the film. What the Crood family's journey eventually reveals is twofold: that focusing on living life and following the light is a viable alternative to hiding in the darkness and that anyone can change. (Ages 8 and older) --Tami Horiuchi

<strong>Please note this is a region B Blu-ray and will require a region B or region free Blu-ray player in order to play.</strong>



This nine-disc collection brings the wonder of the entire saga direct to your living room, where you can revisit all of your favourite Star Wars moments in gorgeous high definition and with pristine 6.1 DTS Surround Sound. Dive deeper into the universe with an unprecedented 40+ hours of special features, highlighted by never-before-seen content sourced from the Lucasfilm archives.<br /><br /> The comprehensive collection also features numerous deleted, extended and alternate scenes, new documentaries and a cross-section of the countless Star Wars spoofs that have appeared in pop culture over the past three decades.<br /><br /> Marking the first time ever that the full Saga is available in one complete collection, this Blu-ray box set also features a coveted peek into the making of the Saga with vintage documentaries, audio commentaries, behind-the-scenes moments, interviews, prop and costume turnarounds, retrospectives and more.<br /><br /><strong>Disc One--Star Wars Episode I: The Phantom Menace</strong>

• Audio commentary with George Lucas, Rick McCallum, Ben Burtt, Rob Coleman, John Knoll, Dennis Muren and Scott Squires
• Audio commentary from archival interviews with cast and crew
• Languages: English audio description, Spanish, French, , Quebecois and Portuguese
• Subtitles: English for the hard of hearing, Spanish, French, Quebecois, Dutch, Portuguese, Finnish, Swedish, Norwegian and Danish / Commentary: English for the hard of hearing

<br /><strong>Disc Two--Star Wars Episode II: Attack of the Clones</strong>

• Audio commentary with George Lucas, Rick McCallum, Ben Burtt, Rob Coleman, Pablo Helman, John Knoll

A winning mixture of adventure, slapstick comedy, and friendship, <em>How to Train Your Dragon</em> rivals <em>Kung Fu Panda</em> as the most engaging and satisfying film DreamWorks Animation has produced. Hiccup (voice by Jay Baruchel) is a failure as a Viking: skinny, inquisitive, and inventive, he asks questions and tries out unsuccessful contraptions when he's supposed to be fighting the dragons that attack his village. His father, chief Stoick the Vast (Gerard Butler), has pretty much given up on his teenage son and apprenticed him to blacksmith Gobber (Craig Ferguson). Worse, Hiccup knows the village loser hasn't a chance of impressing Astrid (America Ferrera), the girl of his dreams and a formidable dragon fighter in her own right. When one of Hiccup's inventions actually works, he hasn't the heart to kill the young dragon he's brought down. He names it Toothless and befriends it, although he's been taught to fear and loathe dragons. Co-directors and co-writers Chris Sanders and Dean DeBlois, who made Disney's delightful <em>Lilo and Stitch</em>, provide plenty of action, including vertiginous flying sequences, but they balance the pyrotechnics with moments of genuine warmth that make the viewer root for Hiccup's success. Many DreamWorks films get laughs from sitcom one-liners and topical pop culture references; as the humour in <em>Dragon</em> comes from the characters' personalities, it feels less timely and more timeless. Toothless chases the spot of sunlight reflected off Hiccup's hammer like a giant cat with a laser pointer; Hiccup uses his newly found knowledge (and an icky smoked eel) to defeat two small dragons--and impress the other kids. <em>How to Train Your Dragon</em> will be just as enjoyable 10 or 20 years from now as it is today. <em>--Charles Solomon</em>

Disney's 1992 animated feature is a triumph of wit and skill. The high-tech artwork and graphics look great, the characters are strong, the familiar story is nicely augmented with an interesting villain (Jafar, voiced by Jonathan Freeman) and there's an incredible hook atop the whole thing: Robin Williams's frantically hilarious vocal performance as Aladdin's genie. Even if one isn't particularly moved by the love story between the title character (Scott Weinger) and his girlfriend Jasmine (Linda Larkin), you can easily get lost in Williams's improvisational energy and the equally entertaining performances of Freeman and Gilbert Gottfried (as Jafar's parrot). -- Tom Keogh