<strong>Please note this is a region 2 DVD and will require a region 2 or region free DVD player in order to play.</strong>



Dr Barnes Wallis was possessed with a seemingly crazy idea - the creation of a bouncing bomb, designed to destroy the Ruhr dams and paralyse the enemy's industrial nerve centre. He fought persistent scepticism and disbelief that such a feat was possible though even with the matchless skill of RAF Wing Commander Guy Gibson and his squadron could such a mission succeed?

• <strong>Actors</strong>Michael Redgrave, Ursula Jeans, Richard Todd, Nigel Stock, Robert Shaw, Richard Leech, George Baker, Patrick McGoohan, Bill Kerr & Laurence Naismith

• <strong>Director</strong>Michael Anderson

• <strong>Certificate</strong>Universal Suitable for All

• <strong>Year</strong>1954

• <strong>Languages</strong>English

• <strong>Duration</strong>1 hour and 55 minutes (approx)

• <strong>Region</strong>Region 2 - Will only play on European Region 2 or multi-region DVD players.

Perhaps no movie could capture F Scott Fitzgerald's novel The Great Gatsby in its entirety, but this adaptation, scripted by Francis Ford Coppola, is certainly a handsome try, putting costume design and art direction above the intricacies of character. Robert Redford is an interesting casting choice as Gatsby, the millionaire isolated in his mansion, still dreaming of the woman he lost. And Sam Waterston is perfect as the narrator, Nick, who brings the dream girl Daisy Buchanan back to Gatsby.

The problem seems to be that director Jack Clayton fell in love with the flapper dresses and the party scenes and the jazz age tunes, ending up with a Classics Illustrated version of a great book rather than a fresh, organic take on the text. While Redford grows more quietly intriguing in the film, Mia Farrow's pallid performance as Daisy leaves you wondering why Gatsby, or anyone else, should care so much about his grand passion. The effective supporting cast includes Bruce Dern as Daisy's husband, and Scott Wilson and Karen Black as the low-rent couple whose destinies cross the sun-drenched protagonists. (That's future star Patsy Kensit as Daisy's little daughter.) The film won two Oscars--not surprisingly, for costumes and musical score. -- Robert Horton

This Dvd Is Brand New & Factory Sealed 3rd Image This Version Same Movie - Another Dvd Is Now Becoming Very Collectable & Sought After. This Dvd Is In Stock And Will Be Posted From The UK

Grease was a phenomenal hit with its target teenage audience when it was released in 1977. The songs dominated the pop charts and brought heady success for its lead actors, John Travolta (Danny) and Olivia Newton-John (Sandy) despite the fact that--as with their energetic co-stars--their own teenage years were some way behind them. As they seize the chance to relive their schooldays, their verve and enthusiasm explodes from the screen. The real class, though, comes from Stockard Channing as feisty Rizzo and, in a couple of cameos, wisecracking silver screen actresses from yesteryear Eve Arden and Joan Blondel.

Based on the 1972 stage show and adding several new numbers, Grease is at heart a rites-of-passage movie with plenty of feel-good moments and a euphoric buzz."You're the One That I Want","Hopelessly Devoted to You" and"Summer Nights" became the soundtrack for a generation of high-school students on the cusp of adulthood. Today, it looks like a pastiche of those 1950s Connie Francis rock & roll beach films. But the steady stream of double entendres and knowing body language render it more accessible to the less innocent late 1970s. It's overwhelming nostalgia for anyone in the vicinity of 40.

On the DVD: The 25th anniversary special edition of Grease rolls back the years: the 2.35:1 anamorphic widescreen presentation transports you instantly back to fifth-form heaven in the local fleapit. The Dolby Digital 5.1 surround sound ensures that the songs--ever the staple of MOR radio--complete the nostalgia trip with real zip. The main extra is a short series of fond reminiscences from the actors and director Randal Kleiser, actually filmed for the 20th anniversary. -- Piers Ford

<strong>Please note this is a region B Blu-ray and will require a region B or region free Blu-ray player in order to play.</strong>



This nine-disc collection brings the wonder of the entire saga direct to your living room, where you can revisit all of your favourite Star Wars moments in gorgeous high definition and with pristine 6.1 DTS Surround Sound. Dive deeper into the universe with an unprecedented 40+ hours of special features, highlighted by never-before-seen content sourced from the Lucasfilm archives.<br /><br /> The comprehensive collection also features numerous deleted, extended and alternate scenes, new documentaries and a cross-section of the countless Star Wars spoofs that have appeared in pop culture over the past three decades.<br /><br /> Marking the first time ever that the full Saga is available in one complete collection, this Blu-ray box set also features a coveted peek into the making of the Saga with vintage documentaries, audio commentaries, behind-the-scenes moments, interviews, prop and costume turnarounds, retrospectives and more.<br /><br /><strong>Disc One--Star Wars Episode I: The Phantom Menace</strong>

• Audio commentary with George Lucas, Rick McCallum, Ben Burtt, Rob Coleman, John Knoll, Dennis Muren and Scott Squires
• Audio commentary from archival interviews with cast and crew
• Languages: English audio description, Spanish, French, , Quebecois and Portuguese
• Subtitles: English for the hard of hearing, Spanish, French, Quebecois, Dutch, Portuguese, Finnish, Swedish, Norwegian and Danish / Commentary: English for the hard of hearing

<br /><strong>Disc Two--Star Wars Episode II: Attack of the Clones</strong>

• Audio commentary with George Lucas, Rick McCallum, Ben Burtt, Rob Coleman, Pablo Helman, John Knoll

One of the very best animated films that the Walt Disney Studio has ever released (and the last to be produced by Walt Disney himself), and as downright brilliant as it was on its debut in 1967, The Jungle Book makes a very welcome return to DVD in this excellent 40th anniversary double-disc set.

Based loosely on the Rudyard Kipling’s book of the same name, the film tells the story of man-cub Mowgli, and the friends he makes in the jungle. And it’s these friends who ignite the film, with some of the most memorable characters and songs that Disney has ever put on the screen. Kings of The Jungle Book are the likes of Baloo the Bear, King Louie the villainous Shere Khan the Tiger, while supporting characters such as Colonel Hathi are just as memorable. It’s astonishing that it packs so much and so many into its relatively short running time.

It’s an amazing achievement too that The Jungle Book bristles with such energy and fun, and that it’s just as likely to enthral the current generation of youngsters as well as those of us who saw it first time round. And when those songs start playing--from Bare Necessities through to I Wanna Be Like You--it'll take some effort to not start tapping your feet. A brilliant, brilliant film, and as vintage as the Disney back catalogue gets. -- Simon Brew

Worry not, Disney fans--this special edition DVD of the beloved Cinderella won't turn into a pumpkin at the strike of midnight. One of the most enduring animated films of all time, the Disney-fied adaptation of the gory Brothers Grimm fairy tale became a classic in its own right, thanks to some memorable tunes (including"A Dream Is a Wish Your Heart Makes,""Bibbidi-Bobbidi-Boo," and the title song) and some endearingly cute comic relief.

We all know the story--the wicked stepmother and stepsisters simply won't have it, this uppity Cinderella thinking she's going to a ball designed to find the handsome prince an appropriate sweetheart, but perseverance, animal buddies, and a well-timed entrance by a fairy godmother make sure things turn out all right. There are a few striking sequences of pure animation--for example, Cinderella is reflected in bubbles drifting through the air--and the design is rich and evocative throughout. It's a simple story padded here agreeably with comic business, particularly Cinderella's rodent pals (dressed up conspicuously like the dwarf sidekicks of another famous Disney heroine) and their misadventures with a wretched cat named Lucifer. There's also much harrumphing and exposition spouting by the King and the Grand Duke. It's a much simpler and more graceful work than the more frenetically paced animated films of today, which makes it simultaneously quaint and highly gratifying. --David Kronke, Amazon.com

This re-mastered, pan-and-scan 30th-anniversary edition of that kiddie-car caper is flawed but solid family fare. It retains a quaint charm while some of the songs--including the title tune--are quite hummable. A huge plus is Dick Van Dyke, who is extremely appealing as an eccentric inventor around the turn of the century. With nimble fingers and a unique way of looking at the world, he invents for his children a magic car that floats and flies. Or does he? The special effects are tame by today's standards, and the film is about 20 minutes too long--but its enthusiasm charms. The script was cowritten by Roald Dahl and based on the novel by Ian Fleming, best known for his James Bond adventures. --Rochelle O'Gorman

Film buffs and critics can argue until their faces turn blue about whether this lavish Dickensian musical deserved the Academy Award for Best Picture of 1968, but the movie speaks for itself on grandly entertaining terms. Adapted from Dickens's classic novel, it's one of the most dramatically involving and artistically impressive musicals of the 1960s, directed by Carol Reed with a delightful enthusiasm that would surely have impressed Dickens himself. Mark Lester plays the waifish orphan Oliver Twist, who is befriended by the pickpocketing Artful Dodger (Jack Wild) and recruited into the gang of boy thieves led by Fagin (played to perfection by Ron Moody). The villainous Bill Sikes (Oliver Reed) casts his long shadow over Oliver and his friends, but the young orphan is still able to find loving care in the most desperate of circumstances. Full of memorable melodies and splendid lyrics, Oliver! is a timeless film, prompting even hard-to-please critic Pauline Kael to call it"a superb demonstration of intelligent craftsmanship", and to further observe that"it's as if the movie set out to be a tribute to Dickens and his melodramatic art as well as to tell the story of Oliver Twist." --Jeff Shannon

Something of a cult item among British war movies (and brilliantly spoofed a few years back by a lager ad), The Dam Busters turns a minor World War II incident into a saga of heroic stiff-upper-lippery in the classic British style. A bombing raid is proposed on a strategically vital Ruhr dam, but its position is inaccessible. Enter eccentric inventor Dr Barnes Wallis (Michael Redgrave in best daffy professor mode) who comes up with a genius idea--a bomb that will bounce on water like a skimmed pebble. Naturally the top brass pooh-pooh it, but gallant Wing Commander Guy Gibson (Richard Todd) is persuaded, and between them flyer and boffin forge ahead. The touches of carefully understated emotion now verge on self-parody, but it's hard not to get caught up in the narrative sweep, especially when the bombers take off on their mission and Eric Coates' stirring march hits the soundtrack. The modelwork, state-of-the-art for its early 1950s period, still looks impressive, and the death of Gibson's beloved black Labrador (embarrassingly called Nigger) is a three-hanky moment to rival the shooting of Bambi's mum. -- Philip Kemp

The most widely seen movie produced by a Hollywood studio, The Sound of Music grows fresher with each viewing. Though it was planned meticulously in pre-production (save for the scene where Maria and the children take a dipping in an Austrian lake that nearly cost a life), on each viewing one is struck anew by the spontaneous almost improvisatory air of the acting, notably of Julie Andrews under Robert Wise's direction. There are also the little human touches he brings to, for instance, the scene where Maria leads the children to the hills, over bridges and along tow paths where the smallest boy trips up and momentarily gets left behind: it creates a feeling that most of us have encountered. From the opening pre-credit sequence of muted excitement as the camera roves over the Austrian Alps (photographed in magnificent colour), where little phrases from the wind instruments on the soundtrack are flung as if on the breeze, foreshadowing the title song to follow, the production never puts a foot wrong.

On the DVD : On the first disc the film itself has never looked or sounded better since its original presentation in Todd AO (prints of which are said to have disappeared forever). The disc also contains a separate audio guide that takes the viewer through the film sequence by sequence, with director Robert Wise commenting on the weather, the production design by Boris Leven, the sequences filmed on location and in Hollywood (like the interiors of the Von Trapp villa), and the naming of other actors who were eager for the lead roles, notably Doris Day and Yul Brynner.

On the second disc there are the documentaries."Salzburg Sight and Sound" was Charmian Carr's own record of her time on location in the summer of 1964, playing Liesl, the eldest Von Trapp daughter."From Fact to Fiction", running two hours, begins with the birth of Maria in 1905 who inspired the film, charts her subsequent marriage to Captain Von Trapp, their escape from Nazi Germany not across the Alps but via a train across the Italian boarder, their home in Vermont and thence to the German film of the family that was brought to the attention of Rodgers and Hammerstein as an ideal vehicle for a stage musical. A second group of documentaries covers previews, television and radio commercials and a 1973 interview with Wise and Andrews. Overall, this is a marathon package but in its way is as compelling as the film itself. -- Adrian Edwards

If a musical sci-fi satire about an alien transvestite named Frank-n-Furter, who is building the perfect man while playing sexual games with his virginal visitors, sounds like an intriguing premise for a movie, then you're in for a treat. Not only is The Rocky Horror Picture Show all this and more, but it stars the surprising cast of Susan Sarandon and Barry Bostwick (as the demure Janet and uptight Brad, who get lost in a storm and find themselves stranded at Frank-n-Furter's mansion), Meat Loaf (as the rebel Eddie), Charles Gray (as our criminologist and narrator) and, of course, the inimitable Tim Curry as our"sweet transvestite from Transsexual, Transylvania".

Upon its release in 1975, the film was an astounding flop. But a few devotees persuaded a New York cinema to show it at midnight, and thus was born one of the ultimate cult films of all time. The songs are addictive (just try getting"The Time Warp" or"Toucha Toucha Touch Me" out of your head), the raunchiness amusing and the plot line utterly ridiculous--in other words, this film is simply tremendous good fun. The downfall, however, is that much of the amusement is found in the audience participation that is obviously missing from a video version (viewers in cinemas shout lines at the screen and use props--such as holding up newspapers and shooting water guns during the storm and throwing rice during a wedding scene). Watched alone as a straight movie, Rocky Horror loses a tremendous amount of its charm. Yet, for those who wish to perfect their lip-synching techniques for movie cinema performances or for those who want to gather a crowd around the TV at home for some good, old-fashioned, rowdy fun, this film can't be beat. --Jenny Brown

DVD Wraner, Z1 36700, PAL Region 2 digi

DVD

Something of a cult item among British war movies (and brilliantly spoofed a few years back by a lager ad), The Dam Busters turns a minor World War II incident into a saga of heroic stiff-upper-lippery in the classic British style. A bombing raid is proposed on a strategically vital Ruhr dam, but its position is inaccessible. Enter eccentric inventor Dr Barnes Wallis (Michael Redgrave in best daffy professor mode) who comes up with a genius idea--a bomb that will bounce on water like a skimmed pebble. Naturally the top brass pooh-pooh it, but gallant Wing Commander Guy Gibson (Richard Todd) is persuaded, and between them flyer and boffin forge ahead. The touches of carefully understated emotion now verge on self-parody, but it's hard not to get caught up in the narrative sweep, especially when the bombers take off on their mission and Eric Coates' stirring march hits the soundtrack. The modelwork, state-of-the-art for its early 1950s period, still looks impressive, and the death of Gibson's beloved black Labrador (embarrassingly called Nigger) is a three-hanky moment to rival the shooting of Bambi's mum. -- Philip Kemp

A pioneering film within Animation, Musicals and Fantasy, Walt Disney's Mary Poppins is possibly one of the warmest and dearest films ever made. Based on a story by PL Travers we find Julie Andrews on fine form in her debut lead role (for which she would win the"Best Actress" Oscar). She is practically perfectly teamed with Dick Van Dyke as the lovable chimney sweep Burt, whose cockney accent is endearingly inaccurate. Along with a fine supporting cast, where even the child actors hold their own without appearing like stage school wannabes, Poppins and her crew take you on a magical ride through chalk pictures, the roof tops of London and show you that laughter is not always the best medicine (even with a spoon full of sugar) when you can't get down. In total Mary Poppins clocked up five Academy Awards including Best Song and Best Visual Effects and has made it into the staple diet of family viewing across the world.

On the DVD: Mary Poppins has certainly cleaned up a treat, restoring her to 1.85:1 widescreen glory and 5.1 Dolby digital sound--which is guaranteed to be music to your ears. The special features are"supercalifragilisticexpialidocious" with the"Sing Along with the Movie" subtitles for all your favourite songs when they appear in the movie and the"I Love to Laugh" game offering Uncle Albert flying high in his parlour once more."The Movie Magic of Mary Poppins" lets you look behind the scenes at how the magic was done and is fun, informative and easily understandable--pity the same cannot be said about the narrator."Hollywood goes to a World Premiere" is a warm and amusing reminder about how premieres and stars used to be in 1964. The only disappointment is the lack of commentary--Dick Van Dyke would surely have offered a gem of a cockney voice-over! -- Nikki Disney

United Kingdom released, PAL/Region 2 DVD: LANGUAGES: English ( Dolby Digital 2.0 ), SPECIAL FEATURES: Black & White, Interactive Menu, Scene Access, SYNOPSIS: The comfortable complacency of the British Birling family is upset when Inspector Poole (Alastair Sim) comes calling. An impoverished young working girl named Eva Smith (Jane Wenham) has committed suicide, and Poole hopes that the Birlings will help him find out why. As the evening progresses, a series of flashbacks reveal that each member of the Birling family has in some small way been responsible for Eva's demise. A twist ending adds a mystical, thought-provoking touch to the proceedings. Bryan Forbes, who plays the Birling son, matriculated into the noted director of such films as The L-Shaped Room, King Rat and The Whisperers. An Inspector Calls was based on a play by J.B. Priestley, which recently scored a huge hit when it was revived in London and New York. ...An Inspector Calls

The winner of 10 Academy Awards, this 1961 musical by choreographer Jerome Robbins and director Robert Wise ( The Sound of Music ) remains irresistible. Based on a smash Broadway play updating Shakespeare's Romeo and Juliet to the 1950s era of juvenile delinquency, West Side Story stars Natalie Wood and Richard Beymer as the star-crossed lovers from different neighbourhoods--and ethnicities. The film's real selling points, however, are the highly charged and inventive song-and-dance numbers, the passionate ballads, the moody sets, colourful support from Rita Moreno, and the sheer accomplishment of Hollywood talent and technology producing a film so stirring. Leonard Bernstein and Stephen Sondheim wrote the score. --Tom Keogh