The British spy with a licence to kill takes on his dark underworld double, a classy assassin who kills with golden bullets at £1 million a hit. Roger Moore, in his second outing as James Bond, meets Christopher Lee's Scaramanga, one of the most magnetic villains in the entire series, in this entertaining but rather wan entry in the 007 sweepstakes. Bond's globetrotting search takes him to Hong Kong, Bangkok, and finally China, where Scaramanga turns his island retreat into a twisted theme park for a deadly game of wits between the gunmen, moderated by Scaramanga's diminutive man Friday Nick Nack (Fantasy Island's Hervé Villechaize). Britt Ekland does her best as an embarrassingly inept Bond girl, a clumsy, dim agent named Mary Goodnight who looks fetching in a bikini, while Maud Adams is Scaramanga's tough but haunted lover and assistant. Clifton James, the redneck sheriff from Live and Let Die , makes an ill-advised appearance as a racist tourist. He briefly teams up with 007 in what is otherwise the film's highlight, a high-energy chase through the crowded streets of Bangkok that climaxes with a breathtaking mid-air corkscrew jump. Bond and company are let down by a lazy script, but Moore balances the overplayed humour with a steely performance and Lee's charm and enthusiasm makes Scaramanga a cool, deadly, and thoroughly enchanting adversary. --Sean Axmaker, Amazon.com

Roger Moore was introduced as James Bond in this 1973 action movie featuring secret agent 007. More self-consciously suave and formal than predecessor Sean Connery, he immediately re-established Bond as an uncomplicated and wooden fellow for the '70s. This film also marks a deviation from the more character-driven stories of the Connery years, a deliberate shift to plastic action (multiple chases, bravura stunts) that made the franchise more of a comic book or machine. If that's not depressing enough, there's even a good British director on board, Guy Hamilton ( Force 10 from Navarone ). The story finds Bond taking on an international drug dealer (Yaphet Kotto), and while that may be superficially relevant, it isn't exactly the same as fighting super-villains on the order of Goldfinger. --Tom Keogh, Amazon.com

On the DVD : Anyone old enough to remember the old milk marketing board commercials will relish the sight of James Bond exhorting everyone to"drink a pinta milka day" in one of the TV spots included here. Elsewhere in the special features, the characteristically in-depth"making of" featurette has a mixture of both contemporary and new interviews plus behind-the-scenes footage (the alligator-jumping sequence is positively hair-raising). The first of two audio commentaries is hosted by John Quark of the Ian Fleming Foundation and features a variety of cast and crew members, notably director Guy Hamilton; the second has writer Tom Mankiewicz on his own, who in between pauses has the occasional interesting thing to say. Overall another good package of features to accompany another excellent anamorphic print. -- Mark Walker

Roger Moore was nearing the end of his reign as James Bond when he made Octopussy , and he looks a little worn out. But the movie itself infuses some new blood into the old franchise, with a frisky pace and a pair of sturdy villains. Maud Adams--who'd also been in The Man with the Golden Gun --plays the improbably named Octopussy, while old smoothie Louis Jourdan is her crafty partner in crime. There's an island populated only by women, as well as a fantastic sequence with a hand-to-hand fight on a plane--and on top of a plane. The film even has an extra emotional punch, since this time 007 is not only following the orders of Her Majesty's Secret Service, but he is also exacting a personal revenge: a fellow double-0 agent has been killed. Two Bond films were actually released in 1983 within a few months of each other, as Octopussy was followed by Sean Connery's comeback in Never Say Never Again . The success of both pictures proved that there was still plenty of mileage left in the old licence to kill, though Moore had one more workout-- A View to a Kill --before hanging it up. And that title? The franchise had already used up the titles to Ian Fleming's novels, so Octopussy was taken from a lesser-known Fleming short story. -- Robert Horton, Amazon.com

On the DVD : The high standard of these 007 discs is maintained here, with another extra-packed selection. The"Inside Octopussy" documentary details the making of the movie, which faced competition from Sean Connery's Never Say Never Again , as well as being handicapped by a potentially risible title. The initial story was developed by George Macdonald Fraser, author of the"Flashman" books, whose knowledge of Indian history and locales proved invaluable. Roger Moore prevaricated about signing on as Bond, so American James Brolin was screen-tested instead. The movie also produced the worst accident of the series while filming the train sequence and the stuntman involved was hospitalised for six months. Director John Glen provides a solo commentary that reveals a wealth of technical detail and also that this is one of his favourite Bond movies. Rita Coolidge performs"All Time High", and there are also some storyboard sequences and trailers. -- Mark Walker

This was the first James Bond adventure produced after the success of Star Wars , so it jumped on the sci-fi bandwagon by combining the suave appeal of Agent 007 (once again played by Roger Moore) with enough high-tech hardware and special effects to make Luke Skywalker want to join Her Majesty's Secret Service. After the razzle-dazzle of The Spy Who Loved Me , this attempt to latch onto a trend proved to be a case of overkill, even though it brought back the steel-toothed villain Jaws (Richard Kiel) and scored a major hit at the box office. This time Bond is up against a criminal industrialist named Drax (Michel Lonsdale) who wants to control the world from his orbiting space station. In keeping with his well-groomed style, Bond thwarts this maniacal Neo-Hitler's scheme with the help of a beautiful, sleek-figured scientist (played by Lois Chiles with all the vitality of a department-store mannequin). There's a grand-scale climax involving space shuttles and ray guns, but despite the film's popular success, this is one Bond adventure that never quite gets off the launching pad. It's as if the caretakers of the James Bond franchise had forgotten that it's Bond--and not a barrage of gizmos and gadgets (including a land-worthy Venetian gondola)--that fuels the series' success. Despite Moore's passive performance (which Pauline Kael described as"like an office manager who is turning into dead wood but hanging on to collect his pension"), Moonraker had no problem attracting an appreciative audience, and there are even a few renegade Bond-philes who consider it one of their favourites. --Jeff Shannon

Released in 1962, this first James Bond movie remains one of the best and serves as an entertaining reminder that the Bond series began (in keeping with Ian Fleming's novels) with a surprising lack of gadgetry and big-budget fireworks. Sean Connery was just 32 years old when he won the role of Agent 007. In his first adventure James Bond is called to Jamaica where a colleague and secretary have been mysteriously killed. With an American CIA agent (Jack Lord, pre- Hawaii Five-O ), they discover that the nefarious Dr No (Joseph Wiseman) is scheming to blackmail the US government with a device capable of deflecting and destroying US rockets launched from Cape Canaveral. Of course, Bond takes time off from his exploits to enjoy the company of a few gorgeous women, including the bikini-clad Ursula Andress. She gloriously kicks off the long-standing tradition of Bond women who know how to please their favourite secret agent. A sexist anachronism? Maybe, but this is Bond at his purest, kicking off a series of movies that shows no sign of slowing down. --Jeff Shannon

Pierce Brosnan returns for his second stint as James Bond (after GoldenEye ) and he's doing it in high style with an invigorating cast of co-stars. It's only appropriate that a Bond film from 1997 would find Agent 007 pitted against a media mogul (Jonathan Pryce) who's going to start a global war--beginning with stolen nuclear missiles aimed at China--to create attention-grabbing headlines for his latest multimedia news channel. It's the information age run amok and Bond must team up with a lovely and lethal agent from the Chinese External Security Force (played by Hong Kong action star Michelle Yeoh) to foil the madman's plot of global domination. Luckily for Bond, the villain's wife (Teri Hatcher) is one of his former lovers and, at the behest of his superior M (Judi Dench), 007 finds ample opportunity to exploit the connection. Although it bears some nagging similarities to many formulaic action films from the '90s, Tomorrow Never Dies (with a title song performed by Sheryl Crow) boasts enough grand-scale action and sufficiently intelligent plotting to suggest the Bond series has plenty of potential to survive into the next millennium. Armed with the usual array of gadgets (including a remote-controlled BMW), Brosnan settles into his role with acceptable flair and the dynamic Yeoh provides a perfect balance to the sexism that once threatened to turn Bond into a politically incorrect anachronism. He's still Bond, to be sure, but he's saving the world with a bit more sophisticated finesse. -- Jeff Shannon

Timothy Dalton's second and last James Bond assignment in Licence to Kill is darker and harder-edged than anything from the Roger Moore years, dropping the sometimes excruciating in-jokes that had begun to dominate the series in favour of gritty, semi-realistic action. When CIA colleague and close friend Felix Leiter (David Hedison) gets married immediately after arresting villainous drug baron Franz Sanchez (with a little help from Bond), the crime lord's retribution is swift and terrible. Bond goes on a personal vendetta against Sanchez after his licence to kill is revoked. There are plenty of spectacular stunt scenes, of course, but the meaty story of revenge is this film's distinguishing feature. Dalton's portrayal of the iconic hero as tough but flawed was a brave decision that the producers subsequently retreated from after Licence to Kill 's relatively poor box-office showing.

On the DVD : Timothy Dalton's insistence that Bond was a man not a superhero, and"a tarnished man" at that encouraged the producers to redefine Bond with a tougher edge more in keeping with Fleming's original conception of the character. Licence to Kill is Bond's darkest assignment. The production team experienced their usual difficulties in bringing it to the screen, the"making-of" documentary reveals, including a haunted road in Mexico and a mysterious flaming hand that appeared out of the fire during the climactic tanker explosion. There are two commentaries here, both montage selections of interviews from cast and crew. The first features director John Glen and many of the actors; the second has producer Michael G Wilson and the production team. Gladys Knight pops up in the first music video, Patte La Belle in the second ("If You Asked Me To"). There are the usual trailers, gallery of stills and a feature on the Kenworth trucks specially adapted for the movie's stunt work. -- Mark Walker